Adobe Premiere Pro CS3 What’s New – Steve begins with a walkthrough of the interface and workspace. Next you’ll dive into time remapping and the Time Warp tool. These video effects will give your production some real punch. But wait, video is only half the fun.
Learning with Study 365 has many advantages. The course material is delivered straight to you and can be adapted to fit in with your lifestyle. It is created by experts within the industry, meaning you are receiving accurate information, which is up-to-date and easy to understand. This course is comprised of professional learning material, all delivered through a system that you will have access to 24 hours a day, 7 days a week for 365 days (12 months).
This course consists of the following:
From the day you purchase the course, you will have 12 months access to the online study platform. As the course is self-paced you can decide how fast or slow the training goes, and are able to complete the course in stages, revisiting the training at any time.
At the end of the course, you will have one assignment to be submitted (you need a mark of 65% to pass) and you can submit the assignment at any time. You will only need to pay £19 for assessment and certification when you submit the assignment. You will receive the results within 72 hours of submittal, and will be sent a certificate in 7-14 days if you have successfully passed.
Successful candidates will be awarded a certificate for Premiere Pro CS3 What’s New.
Learners must be age 16 or over and should have a basic understanding of the English Language, numeracy, literacy, and ICT.
This course could help you pursue a career in any of the following industries:
Steve is a Dynamic Media Systems Engineer at Adobe. Steve travels the United States presenting Digital Video software and solutions to Adobe customers. You may have seen him at Digital Video tours and seminars, tradeshows like NAB, or an Adobe eSeminar where he presents Adobe software as well. You can also see Steve on the web with his blog called “aftereffectscookbook.”
Steve’s career started in the 70’s as a commercial airbrush illustrator for print. 20 years of Illustration and design gave Steve the opportunity to work as Art Director and creator of most of the Posters for the original 3 StarWars movies. After 20 years in his own Graphic Design Studio doing both print design and photography, Steve started moving into Video and Animation in the early 90’s. Steve worked in both 2D (After Effects) and 3D for corporate and Broadcast Television, with a stint doing nightly news graphics for the Fox Network. Steve is a multi-platform guy working with Mac, PC and SGI computers.
October of 2000 Steve was recruited by Adobe to become a Systems Engineer for Dynamic Media.
Steve is an Adobe Certified Expert in; Photoshop, Illustrator, Premiere, After Effects, InDesign and is an Adobe certified Video Specialist.
|1: REVISING THE INTERFACE & WORKSPACE|
|1. Using Flex Bins|
|2. Finding Clips with Smart Search|
|3. Workspace Improvements|
|4. Editing with Keystrokes|
|5. Using the Replace Clip Option|
|6. Saving Space by Disabling Render Previews|
|7. Application Improvements|
|2: USING THE NEW VIDEO EFFECTS|
|1. Understanding Time Remapping|
|2. Manipulating Speed with Keyframes|
|3. Using Hold Keyframes|
|4. Reverse Time Remapping|
|5. Introducing Time Warp|
|6. Applying the Dip to White Transition|
|7. Compositing with Difference Matte|
|3: USING THE NEW AUDIO EFFECTS|
|1. Using the Chorus Filter|
|2. Using the DeClicker Filter|
|3. Using the DeCrackler Filter|
|4. Using the Flanger Filter|
|5. Using the Phaser Filter|
|6. Working with Audio Channel Mapping|
|4: EXPORTING VIA THE MEDIA ENCODER|
|1. Exploring New Adobe Media Encoder Settings|
|2. Using Adobe Device Central|
|3. Adding Marker Comments with Clip Notes|
|4. XMP Support & Using Flash(R) Cue Points|
|5: WORKING WITH ADOBE SOUNDBOOTH™ & ENCORE®|
|1. Correcting Audio Problems in Soundbooth|
|2. Exporting Directly to Encore|
|3. Building a DVD in Encore|
|4. Exporting from Encore to Flash|
|6: EXPLORING ONLOCATION™|
|1. OnLocation Features Overview|
|2. Flexible Recording Options|
|3. Exploring the Digital Field Monitor|
|4. Audio & Video Analysis|
|5. Calibrating a Camera with SureShot|
|6. Looking at the Production Menus|
|7. Final Comments & Credits|
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